That Floating Excrement Was Way Too Meaningful! These Are the Television Disappointments of the Year.

As we reflect on the TV landscape of the past year, a handful of series emerge not for their brilliance, but for their spectacular failures. From awkward sequels to confusingly poor docuseries, here are the productions that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Burdened with dreadful scripts, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. Briefly, as the third season started, it looked like it had finally found its groove. Then came an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the final season. It ended on a low point; the lingering shot of Miranda’s loo flooded with poo was simply too on-the-nose. Yet, fans certainly had a hoot dissecting every single “wtf?” moment. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this drama's problems. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to begin enumerating the problems. The hilariously leaden writing? The mind-numbing glorification of affluence and materialism? The seemingly wilful procession of tropes? Performances so poor they felt borderline malicious? Suffice it to say “each and every one” and never speak of this series again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various episodes of reckless hedonism while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be reserved for the people who have had to endure proximity with this charming but dismissive narcissist.

The Iris Affair

Of course we understood it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Shady figures meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t endure the embarrassment of having to indulge unconvincing accents. But there were many other problems. Primarily that it was just really boring; a dispute over drug-selling territory between various London picaresques which felt rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of the nation’s performatively angry commentators, it’s temptingly tempting to admire the Duchess of Sussex’s televised forays into twee lifestyle as intentional statements. But then you view them and are compelled to concede that in this case, they may have a point. It’s like watching a homeware catalogue animated; a poster for evening drinks with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All supported by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about both Victoria Beckham and her journey with career, identity, self-worth. But for some reason, this documentary series chose not to say them. Rather, the viewing was akin to consuming a marketing catalogue. She clearly has every right to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was trying way too hard to live up to something way beyond it.

Too Much

How does one succeed a show that captured a generation? The expectation was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke stretched to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about secret services targeting – and eliminating – academics frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual escapades as she undertook her most extreme feat yet. What on earth would possess her? What we wanted was way more interrogation of her actual psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to drag her son out of the queue. What we got was disturbing shots and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Patricia Gomez
Patricia Gomez

A tech journalist and trend analyst with over a decade of experience covering digital innovations and cultural shifts.